The sewing machine became an extension of myself during my Thesis Year of Graduate School, with its methodic whir and the satisfying rhythm when pulsing through sheets of material. Slow Fashion gave me an appreciation for construction, planning and conceptualization, because without that vision, garmenture and containers only exist as panels and patterns. I utilized my free time after work to try my hand at making various interior arrays but I knew I wanted the material to stand out. Eventually I settled on the approach I implemented throughout my thesis conception: Using Brocade and Interior Design Fabrics, especially those that would otherwise be deadstock to grant new life to material on its way to a landfill. Since then I have also begun laying groundwork to redirect fabric from other spaces to be made into bags, clothing and other useful products. We only have one planet, so even on a minor scale, the acts of reduction, reusage, and recycling are vital and can be used to create unique, bespoke pieces for the world to readily enjoy.